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Between SSL, Waves an Plugin Alliance the EQ's all have a different "grab" to the selected frequency. It confuses the heck out of me.ĭefinitely. I don't know if it does that in the real world but in my world, I shouldn't do that. I've noticed that prior with the X-Comp already. The readouts are way to small as well.Īs far as the comp is concerned, it sucks a lot of bass out of the mix. The controls feel really distant, small and hard to reach.
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Dedicated knob-per-function Channel EQ and Dynamics controls, centre. What I absolutely don't like about the SSL Channel is the 3d perspective of the GUI. UC1 is a hardware plug-in controller like no other. Got caught up in the hype of the hight retail price, I guess?
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Here, the NLS Channel plug-in (left) is in its SSL guise, while the Buss plug-in is emulating Mike Hedges vintage EMI TG-series desk. The NLS plug-in interface changes to reflect which of the three consoles youve chosen. The SSL I only had for a couple of days now, so I am a bit unfamiliar with it. Waves are the latest manufacturers to try to package the sound of large-format mixing consoles in plug-in form.
#Waves ssl plugin price software#
The low end is not as tight as with the waves. As well as some huge sums off killer software bundles and individual plugins right now on the Waves site, if you purchase two plugins, youll get two completely free So, whether you want to add a little Abbey Road magic to your recordings, go to town on vocal production or record better guitars, there’s a plugin for every application. The PA Channelstrips seem to be smoother as far as the top end is concerned. Maybe it's because I used it for many years now. I am trying to move away from waves plugins but this one of the few I just need. Even between the Waves E channel and CLA Mixhub it is very different.įor me, I often still reach for the Waves SSL G EQ because the blue knob is especially nice for fixing that low mid range, removing boxiness or boosting low-end with the :3 button in.